"Earth as a Simulation Series 3: 'IF' we are living in a Simulation, how would Simulated 'COPIED' People+Environmental Components be 'CHECKED' for both Accuracy & Anomalies? Is it possible to DIRECTLY access the pre-defined SCRIPTED data files of 'Testing & Checking' Experiences to Accumulate Evidence of VR Experiences & DETAILS of the Simulation Projects Working & VR 'TEST' Environments? This Series Presents Articles & Exercises Exploring these Possibilities. 'UPDATE', to all questions posed here, the answer is 'YES'!!!"

20 Comments

1. Matt
   April 17, 2016 @ 12:10 pm

   STRUCTURAL ARTEFACTS from the copied environment NOW present in the our simulated environment

   As I was walking around, I began ‘noticing’ specific items which felt like they ‘stood out’ for some reason. I could not ‘fathom’ why they were there.

   In ‘impression’ terms, they didn’t ‘feel’ like they should be there . . .

   Or MORE accurately: they felt like what they ‘looked like’ was not what they were ‘used for’ or ACTUALLY were.

   At this point I began doing scans with my newly discovered VR tech.

   ARTEFACT 1:

   A round, sculptured stone ball

   I saw a round, sculptured stone ball sitting on a ledge and sort of ‘dismissed’ it, BUT in a way that was ‘too quick’ or ‘too dismissive.’ As I looked more closely or ‘finely’ at the ball, I began (in my inner VR space) to see the surface ‘glow’ and light up.

   So I realized that actually this was some kind of information ‘globe’. Like a kiosk where you could interact with information or input data. ALL disappeared in our low tech environment.

   So the ‘shape’ of the ball would have been commonly KNOWN ABOUT AND USED EVERYWHERE in the original environment. Here, however it was obvious that there was some kind of perception filter which was ‘blocking’ or effectively ‘removing’ the item from people’s notice.

   So you could ‘notice’ it was a ‘sculptured’ stone object BUT you wouldn’t be made to pay any mind or pay much attention to it AS THEY WOULDN’T WANT PEOPLE to ‘notice’ that something was odd or ‘sticking out’ in their mind.

   ARTEFACT 2:

   Metal posts in the ground that looked like chess pawns. These were all arranged in a row and appeared to ‘sort of’ block an ‘entrance’ / entryway to a building — BUT they were not doing a good job of it.

   In accessing my inner VR visual space, upon checking this I actually began to see ‘scanning’ lights or ‘beams’ tracing between the posts — so you’d have to / were ‘supposed’ to walk through these beams to be ‘scanned’ / approved by those monitoring the building (or ‘larger area in general’ etc) to make sure you had clearance etc.

   So again a ‘SECURITY’ consideration for the EAAS project AND a high tech apparatus that has been disappeared. So at least two ‘structural artefact’ aspects that needed to be disappeared.

   ARTEFACT 3:
   Medieval / fantasy style cottage

   As you walk along a road of clearly ‘residential’ streets, there is—tucked among a row of otherwise relatively ‘normal’ houses—a cottage which very clearly resembles a ‘fantasy’ style hobbit cottage of a totally odd shape with custom windows and decor.

   There is a magical / magically HIDDEN atmosphere or ‘ambience’ around this cottage as well.

   However, you have to REALLY try to notice and keep your attention ON THE HOUSE AS A WHOLE. Just to try testing this I looked at ‘small sections of the roof’. I found that even my vision in scanning over this ‘small section’ was ‘erratic’ and it felt like being rocked in a boat that was tossed and buffeted by a storm. Really crazy.

   I then pulled up ‘management’ templates around what you SHOULD (or more likely SHOULDN’T notice) about a house.

   So, ironically often the management layer wants to draw your attention to a ‘bland’ but ‘interesting enough’ (i.e. sim approved) ‘quirk’ while keeping your attention from the GESTALT, from NOTICING and coming to any DECENT conclusions that would lead to awareness.

   ARTEFACT 4:

   ‘Houses’ and lot sizes/ ‘yards’ that didn’t FEEL big enough to fit a house.

   I got an image/ icon of a ‘sailboat stuffed into bottle’. Like a sailing ship shoved into a bottle.

   And also a general/ generic VR module that could ‘grow’ and shrink the size of spaces and objects.

   Then accompanying this was a magnifying glass and a convex lens like a fisheye — so this would be the ‘perception’ of something getting larger or smaller. So you could have a ‘shrunk’ house but your perception could be of it being ‘larger’ than it is.

   I suspect that this is how ‘magical’ spaces are done in VR (or one of the ways etc) and it’d be a way to ‘squish’ the presentation of more ‘residents’ into a small space virtually (although I’d ‘feel’ big enough to those people I presume?)

   There could also be ‘animal form’ things like ‘Rabbit warrens’ where people expect to live in smaller spaces. Basically there are/ seem to be a lot of possibilities with this.

   ARTEFACT 5:

   Eeerie empty spaces that are not ‘understandably empty’ — spaces that ‘don’t fit’ and demand an explanation?

   I often saw ‘parking spaces’ arranged in odd ways next to houses that didn’t quite add up. When I ‘looked’ with my VR scanning vision I saw something like a fantasy toy house in one ‘parking structure’.

   I imagine there are any number of possibilities for family’s who signed up to ‘live in the EAAS project virtual city’ environment?

   ARTEFACT 6:

   Lighthouses and windmills in people’s yards

   Thinking more down the line of ‘families living in VR test environments for the EAAS project (or others projects)’:

   For example people often have small ‘lighthouses’ or ‘windmills’ on their laws. I imagine these could in fact be ‘portals’ that you pay extra for to send you off to another VR reality type place. Maybe the ‘lighthouse’ sends you to a ‘beach’ environment, and a ‘windmill’ to somewhere else??

   (There are many options with this one.

   • Clive
     April 17, 2016 @ 11:51 am

     Hi Matt, this is very interesting as it gives details of how ‘objects / devices / mechanisms’ including advanced tech in the original environment have been translated into ‘innocuous / very different’ things in the simulation here.

2. Rose
   April 18, 2016 @ 12:32 pm

   I suddenly felt and saw myself lying on a slab, and with a lot of activity going on around me and on me and my body. But then I see that what feels like my body has no facial features, no hair, no fingernails – it is as if all the ‘details’ are missing. Which looks really weird, also because I have all my normal feelings and senses there at the same time (like “how can I see anything if there are no eyes”).

   I crashed out and slept some hours, and when I woke up again it is still as this figure, but now if feels as if I am much more “there”, much more “present in the experience”. It also now feels as if I am inside a very advanced computer drawing and modelling program or something similar, which keeps work begin done on “me” all the time, all over, in “layers”. And I feel more as if I am both “me” outside looking at this and “me” inside, or experiencing it all “from the inside”.

   I began feeling and seeing “movements” and how they are created and I see how they are being made to look and feel “correct”, while I feel it all form the inside. So there has been a whole “anatomy” created first, as a layer underneath the “skin”, so that if an arm is lifted or swinging in one direction, it will move as it should, and not like a stiff board with limited movement range.

   Last week I had several experiences of myself and others being made what I called ‘cartoonized’ and I saw “storyboards” being made “out of everything”, and it felt and looked like a layer before the actual figures or avatars and environment s can began to be created, constructed, and made to function correctly.

   And I see this layer of function again now. And it is as if there are many other layers, which all feels like “part of programming” before things can begin to feel and look really “real”.

   And it feels as if I have to “be” inside of “myself” and as if I am “interacting with the programming program”, so that things are being made to feel and look right, using my senses and feelings all the time.

   I can feel now there there are all kinds of functions, I get exposed to also, I just felt a “breeze in the face”, “warm sun in the face”, “touching fabric with the palm of my hand” my hands get very tingly right now, and it looks as if they have hundreds or thousands of little sensors built into them, and they look as if they are the hands of the avatar, typing right now, which feels kind of weird, but it feels as if those hands are “learning to move more and more smoothly and correctly”.

   It’s kind of fun to experience right now, and it feels like something I would have liked to work with, especially using myself and interfacing into my own avatar’s early stages and possibly to many other things in the surroundings. And I can feel that I really want it to feel and look convincing and real. And that I can feel everywhere where small (tiny) adjustments are needed, and then do them in cooperation between myself and the program, and maybe also other people there, I don’t know, if there are others.

   I spent several years during the last two decades in various kinds of very surreal and ‘”semi-psychotic” and also supposedly “kundalini extremes” states, where one main feature was to have long periods with very exaggerated sensory or (involuntary) movement experiences. All of which has seemed to not be possible to find the real explanation for. Until recently where it began becoming clear that all these very extreme experiences are very badly simulation translated presentations of my original VR creation work.

   I very often had two or more different “tracks” running at the same time, one was “me” as I am here and now and the other would always be quite different. I had a longer period for example, where no matter which physical movements I was about to carry out I would experience in some kind of slow motion, how the movement started in the brain which then sent signals to the right muscles who then contracted or relaxed in the right sequences and order, and then when the limp or whatever started moving it felt as if the movements was being carried out because of what felt like large “rubber bands” pulling in the right places and directions.

   It was really really strange to be in, also because the more “normal” track took place in normal time and the slow motion track in a much more slowed down time and in such great detail, that it was very distracting to walking for example. Every step was like a long “process”.

   I saw and felt some of that again now, as representing part of the work with really “understanding movement” (“from the inside”) and being able to re-create movements right.

3. Rose
   April 18, 2016 @ 2:18 pm

   I started feeling things like “my body moving through different viscosity, “temperature” and things like that. Like moving through water or something cold. I feel “sensors in my skin” or as an avatar testing. It then moves to “weather” and I can sense and feel many different kind of weather, temperature, wind, rain, hail, how does snow smell, feel, when it melts – I see and feel it all, in a very ‘focused’ way or as if each ‘topic’ is very much in he foreground and being examined or explored and tested very thoroughly.

   I have always been very sensitive (over sensitive) to changes in the weather, even the slightest ones which my body and energy sort of registers before it happens (I get very electrically charged some hours before thunder begins and things like that).

   I have also had periods where the weather acted really strange. Like weird thunder and lightening, out of the blue, as if a button was switched on and off, and where it happened far too often or almost as if it was for the purpose of “exploring thunder”, whihc I right now suspect it represented.

   I am moved to “changes in the light”, which I have also been hyper sensitive to my whole life (right now it feels as if the over-sensitivity is because of the simulation translations of these things, which feels as if it has been about “testing” and making sure that the weather or light seemed convincing.

   I now see myself as if I am in some kind of ‘studio’ with glass windows or walls all the way around and a lot of high tech equipment and people outside.

   And where the slight is being changed gradually to create “a year” for example, like “how the light changes through the seasons”, whihc is something I have always registered very much and every year there is suddenly a certain time in a certain day where my whole system feels: “Now it’s autumn” or “Now spring began”, without me having though about that at all, it is just as if my senses and my body instantly “reacts”.

   Which I can feel right now, is because it is programmed and I “tested it” (this is pretty difficult to write about).

   I have also had jobs where I have spent most of the time outside or have travelled where I have done the same, including sleeping outside, where all these things have been so noticeable that I had to register it. And I have experienced very different “length of day and night” and “how long does it take for the sun to rise and set” in radically different paces and different times of the day (from above the polar circle to close to Equator).

   It all feels like “research” and then “translated to VR – and testing”.

   I gets very difficult to think now and there is like a thick resistance (and nasty energies) to me thinking about this and remembering it and feeling it. Even my eyes now feel as if they had been filled with some thick jelly to prevent me from – “registering the light, and thus the time of the day…”, it feels like.

   But it looks almost as if I have a whole “recorded library” with both research and then the work to transfer it all to VR.

4. Rose
   April 19, 2016 @ 9:15 am

   I was just sitting with my eyes closed and a cup of tea discussing with myself whether to go back to bed, because I have slept too little, and had problems staying awake. And then suddenly it was as if the sound of the wind in the trees in the park right outside got very amplified and moved to the foreground of my awareness, and suddenly seemed very dominating. While it at the same time made me wonder if I can actually ever hear the wind in the tress that loud, especially with all the windows closed right now. All of which I thought before I had time to begin remembering or thinking about anything VR.

   I was too tired to get up and open a window to check it, so I just sat there, and listened. And then suddenly it felt as if the sound was something that had been ‘recorded’ on it’s own track with a multi-track recorder, while at the same time the whole building (which is of the type with so poor sound insulation that you can often hear the neighbours pee and cough), was so completely silent, that it felt really weird. There were also not a single other sound from outside, which is also very untypical, there is always a car, a power tool being used somewhere, someone talking, birds singing or other common sounds.

   And then the building ‘background sound’ suddenly felt as if it consists of many different tracks, and right when I had though that, someone began coughing somewhere in the building, and then everything got completely silent again.

   The wind in the trees had moved more to the background again (to the normal level where you wouldn’t really register it), and then suddenly I could hear ‘the track’ with more ‘normal sounds from outside’.

   And then I started feeling and hearing the tracks I could actually hear, but also ‘hearing’ or ‘remembering’ other things like some kind of ‘sound memory’; what it sound like when the elevator is running, or when someone is talking in the stairwell, or when children are playing outside, or when a neighbour plays loud music, or when the upstairs neighbours child runs over the floor.

   And it all felt – and feels now like each their separate ‘track’.

   I finally made myself get up and open the balcony door to hear how ‘loud’ the ‘wind in the trees is, or is today specifically’, and it is not ‘loud’, as if it was storming or anything. You can hear it, but not as loud as I heard it in the beginning of this ‘sound track’ experience.

   It feels like ‘VR work’, and it made me think of one of my favourite things to do with my sister as children, where we made lots of ‘radio plays’ with very thin story lines, that we didn’t care about, but only used as the frame for lots of ‘sound effects’, which we recorded on an old tape recorder and experimented with until ‘perfection’ was achieved (‘someone walking on gravel’ made with various types of beads mixed in a sieve was our absolute favourite, and we managed to made it sound very, very real).

   Right when I wrote this, my whole system ‘remembered’ those sounds and making them, in the same way as the ‘sound memories’ from before.

   Now the ‘refrigerator generator track’ started, and it really feels and sounded as if the slider on the ‘sound mixer’ for “Track #268 Fridge” was just pushed to higher volume……..

   And “Track #472 Ambulance passing in the distance, not too close to here” was also turned up just now.

   The light also changes, which now feels like “Clouds #1295, Sun behind clouds Lumen Value XYZ”, and I just looked up and saw the tress branches move from the wind, which also looks as if it is “regulated and coordinated (with “sound & light”) to fit”……

   Oh, “Blue Sky 0.5% area just opened”, haha.

   I had many years where I would see everything as if it had many layers, like ‘foreground, middle ground, background’ in painting or like theatre set pieces. And if I was in a car, I would move past ‘axis points everything is turning around in order to create ‘movement”, and also see the road in front to the car, as if it was ‘moving towards the car’ and not the opposite.

   All of which looked pretty ‘surreal’ and took place in the same semi-psychotic state feelings, I have mentioned in other comments (but I wasn’t psychotic, only in very extreme ‘energies’). But it has all been representations of the same – very bad and extreme simulation representations of creating – and testing – ‘surrounding environment’. I it is really a relief to realise and understand that now, even though things also feel a bit weird right now, but in a very different way (no ‘psychotic’ or far out energies now), it really feels as if this was things I worked with.

   During all this I have felt so tired that I ‘couldn’t have made this up’, and at the same time not so tired that I have been dozing off or dreaming this or anything. Maybe tiredness like this is actually an ‘advantage’ for experiences like this, because there is no brain capacity to be ‘analytical’ or ‘mental’ about it, it is just the immediate experiences and feelings that come through.

   I just registered “Computer keyboard sounds” and “Mouse clicking sounds”, which I hadn’t even noticed until right now, even though I have been typing for a while. And now the “wind in the trees” suddenly got amped up again, together with a “car nearby” which felt like a ‘distraction’ – to get my attention away from thinking about all this…..now there is a “plane flying by”, and that made me ‘listen’ again, and now the sounds outside are far more ‘normal sound track’ with cars in the distance and other sounds, including some water pipe sounds in the building that weren’t there until now.

   I feel as if I have technology in the ears and ear drums, registering and separating out all the individual sound tracks. As if I was listening to an orchestra and separating out each individual instrument (which I often do, ‘automatically’, at least if there aren’t a lot of instruments, but with normal sized bands, it often ‘just happens’).

   • Nyssa
     April 25, 2016 @ 8:32 pm

     I’ve noticed an increase in the amount of birdsong I hear these days – more and louder birds around my home or where I go throughout my day, more layered birdsong that I can hear in the distances, birds that are singing all night through, a bird that flew into the grocery story and chirped away and so forth. I and my family enjoy tuning into and listening to birdsong around us regularly, so they’ve also been noticing the increase, especially our new nighttime bird serenades.

     I keep thinking of your soundtrack comment here in relation to how much more birdsong we are hearing lately (and a commenter named Chris noticed hearing birdsong now, too). There’s research that hearing birdsong – real or recorded – can affect our internal state.

     A recent study suggests that hearing “signs of life” (birdsong or human vocalizations) can reduce stress levels (“Researchers concluded that both bird calls and human vocalizations—reassuring signs of life that the authors described as cues of a “social presence”—made participants feel less uneasy”). Also, a few years ago, a city in California piped in birdsong (British birdsong! ha) in a crime-ridden area and claimed it reduced crime by calming people.

     I deeply enjoy finding a moment of peace in listening to the birds sing. Yet I feel like every part of myself is being broken down at a fundamental level so the timing of this increase in birdsong feels out of place with my experience. Taken as a whole, the timing of the increase of nature sounds (ie, the nature “soundtrack” you wrote about) in my life suggests it’s part of a package of psychological warfare designed to make me “relax” so it can dig deeper and break me down more completely, which is a very disconcerting thought.

     • Rose
       April 26, 2016 @ 2:18 pm

       The moment I started reading your comment, a bird began chirping really loud outside in a ‘tune’ I am not used to. It sounded almost like a ‘parody’ of a bird, and as if someone had pushed a button. After a minute it stopped. And then a seagull began chirping, which does happen here, but very rarely, so I always notice it, while church bells started chiming for some minutes and then stopped again (it’s Tuesday early afternoon, so not normal church bell hours at all and if it had been a funeral the bells would have kept ringing much longer).

       The weather has been really strange today, as if there were two different weather ‘tracks’ at the same time, one with nice spring and the other one with sleet with the largest snowflakes, I have ever seen (almsot the size of small leafs), and it has looked as if it lot of down of small feathers were falling from the sky – so birds would absolutely not be singing under normal circumstances. And they also don’t do now.

       I used to feel almost dependent on the sound of the forest pigeons in the park outside (I live in the middle of a city), and felt it as if I was ‘surviving’ or getting on, because of their sound ( I can ‘hear’ it now in my head and my ear drums ‘reacted’ immediately – which seems just a suspicious as the seagull and the artificial sounding bird before. My eardrums feel very ‘activated’ or as if impacted by very intense ‘high frequent vibrations’.

       I realised after having posted the ‘sound track’ comment, that I have had that my whole life, and how I could ‘hear’ from the sounds around me when the seasons changed, which would make people’s voices come through differently and nature sounds as well and many other things (almsot like an inner ‘sound barometer’). And that I have always been ‘listening’ that way (same as Annabelle described around ‘smell’). Right now it also feels as if I have some kind of subtle (or technological) extensions coming out of the ears which create a much larger ‘field of perceived sounds’ or something like that.

       It’s really crazy with the imported bird chirping! (Why not use local, haha). Reading the article triggers or ‘activates’ my eardrums lots in strange and unpleasant ways – and the “device to repel loitering teens with a frequency adults can’t hear” – is scary to think of! That certain groups can be targeted that way, and manipulated or impacted, with sound.

       Everything feels like ‘VR’ now – as if everything around us can be switched on and off, just like that – like your birdsong all night! So the boundaries of what we have learned to perceive as ‘normal’ or ‘natural’ are being crossed now…….

5. Annabelle
   April 19, 2016 @ 8:48 pm

   Extreme Management! I must have hit a nerve. Spent some time reading thru all past comments on all exercises – very light headed. While trying to hand-write these notes a day ago, 2 brand new pens would not write. Yesterday, I turned on my computer and as soon as I clicked on the site link, all of the power to my house went out – only for 3 seconds – long enough to knock the internet out. Then while in a line at a coffee Kiosk today – a lady barged in front of me – and she knocked over canisters of cream/coffee and made a complete mess all over her phone and papers – looks it was meant for me – ha ha – bad software timing. While trying to help someone take trash out to a large dumpster – I stepped the wrong way and fell into the trash can! I will need a war footing exercise just to get thru the day unscathed!

   Exercise 5

   01-I am sitting in a dimly lit meeting hall with a room full of project members. A man in a red silk smoker’s jacket is walking/lurking around the back of the room, smoking cigars, and keeping an eye on everyone in the room – watching their reactions.

   02- standing on a cliff and I fall off on purpose – while I am falling I am taking notes on how I am doing while I am free falling – feel like a piece of dust blowing in the wind. Next I am standing next to the pyramids and using a measuring tape to measure the stones. “rendered objects” – many random objects start to pass in front of me – a spinning top, toaster, kitchen items and I am very concerned about their accuracy as I check them with my tool kit. Co-workers think I am too anal but I feel there is no way someone can be a tester unless they absolutely had experience using these items. The more diverse the group of items the more diverse the tester had to be.

   03-Sitting in a forest watching the plants grow molecule by molecule. As I pan out, I see the forest/meadow as a huge “paint by number” coloring kit (and often still do to this day). Next – watching a piano player and I merge with the piano to test the tones coming from the musical instrument.
   See a series of watches, gears, rotating discs, balls, that are ticking, clicking, slotting, and I take notes of what is happening. Co –workers are still making fun of me and think I am a mad scientist but I enjoy my work.

   04-I “feel” by smell. Similar to Roses’ comments – I know every season and time of day by smell and even smell in my dreams.

   05-“uploaded version of myself” – It seems as test I did not trust these uploaded versions to be accurate enough. As I gathered data to bring back to programmers, I see myself being very patient with the programmers as things had to be perfect. I feel things are changing now and the accuracy of things in nature is not as critical due to many electronic diversions.

   • Clive
     April 20, 2016 @ 4:47 pm

     Hi Annabelle / Absolutely EVERYONE that spends time here I’d advise ‘EVERYONE’ to do the first ‘healing’ focus which is HERE ‘NOW’, in editing the software and eroding it’s FU abilities this has ‘activated’ a set of hidden ‘shit’ in our PRU units which seems to be more ‘obviously’ aggressive. Hence you write:

     “Extreme Management! I must have hit a nerve. Spent some time reading thru all past comments on all exercises – very light headed. While trying to hand-write these notes a day ago, 2 brand new pens would not write. Yesterday, I turned on my computer and as soon as I clicked on the site link, all of the power to my house went out – only for 3 seconds – long enough to knock the internet out. Then while in a line at a coffee Kiosk today – a lady barged in front of me – and she knocked over canisters of cream/coffee and made a complete mess all over her phone and papers – looks it was meant for me – ha ha – bad software timing. While trying to help someone take trash out to a large dumpster – I stepped the wrong way and fell into the trash can! I will need a war footing exercise just to get thru the day unscathed!”

     So, everyone do the linked focus above – just once will do as we are editing this new set quite fast . . .

6. monica
   April 20, 2016 @ 4:09 am

   00 Immediately I get the feelings of being forced into being a virtual avatar in different environments. It feels like the people who made the sim kidnapped a piece of my should to use me as their avatar.

   01 I get this feeling, like why would any one want to interface to an avatar, it seems like it was ‘sold to the masses’ as some great thing, when really it kind of wasn’t. I keep feeling that a group stole a piece of me and interfaced it to an avatar to be used, whilst I try/tried to combat this by making multiple avatars to track find the one they made of me… that was the main instigator for me to start to use avatars, then once I figured out what was going on in the sims that used avatars, I got more interested as I realized how messed up they were so had to ‘play the part’ or use an avatar to start to infiltrate and overtake the nasty ones.

   02 “laser guns” I see myself who designed a laser gun to fight of foreign invaders of a simulation project which was developed in order to test methods to fix or edit or help other simulations that got beyond ‘messed up’. Seems like many people did not like this simulation as this one was designed to test how to get rid of this simulation, and so many of the other simulation designers from the simulation we were trying to bring justice to got pissed as hell, hence the laser guns were a necessity for data security.

   03 I see myself interfaced to an invisible body suit that allowed me to go into different environments to see what was going on, like look at the files or hidden documents of different simulations. It was designed to allow me to access environments that normally I would not be able to access, as like an astronaut wears an astronaut suit to be able to go to outer space, I wore this when I went to ”not allowed” zones.

   04 I see myself in virtual test room in a almost panda/cat/wolf suit.. I can walk in 365 anywhere, upside down on walls etc.. I really loved this.

   05 I connect to a space outside of the eaas, kind of like a meeting of friends. It was so sweet us talking about designing tech so that we would all meet once our ‘copies’ were in the sim, almost like a backup plan incase the sim were to push us apart. I am very saddened to know that most of this tech has been deranged messed with/overhauled by the sim to keep us apart or to sabotage us as relationships…

   06 The deeper awareness of me being tortured for doing this exercise. It was like now they are trying to me inconspicuous about the torture, giving me ” invisible torture”’ that is harder to locate.. It also feels like they put me between worlds, while they alternate which piece of me they decide to torture or test.

   07 ” or else ” programming. It is a type of tech that is used negatively to keep people form doing these exercises whole heartily, like don’t do this or else. Its like threats, although unfortunately it feels like some of the threats are actualized. For instance I see myself be pushed down on the cement, with my head kicked, they say ” we will destroy your life even more, stop doing this….”

7. Matt
   April 20, 2016 @ 8:36 am

   This is a continuation of simulated external ‘environment’ explorations more comments of which are posted on this page here

   Scanning AVATARS and PEOPLE data

   Again as I am walking around where I live I begin to see various avatar overlays for the various people walking around me. People who ‘look’ or appear as ‘Southeast Asian’ or ‘Middle Eastern’ have very ‘different’ features in their humanoid avatars. It was likely that the Earth sim project originally had ‘different’ possibilities presented (all were upright walking, bipedal etc but different).

   So this was sort of ‘expected’, BUT it was very ‘jarring’ to look at people’s faces and to see them ‘change’. Over time, I realized that this was in fact . . .

   SCANNING tech to get a ‘view’ / analysis of the person’s ‘real’ physical animal form beneath their avatar suit

   So for example I saw a human person ‘morph’ into an aquatic animal form type (for more on humans as different animal forms read this comment here) . . .

   ~~~~~~~~~~~~~~~~~

   COVERT SCANNING/ ‘SUBTLE’ ENERGY BODY originated data (if available);

   This was SNEAKY tech which I was likely ‘not officially allowed’ / supposed to have that would detect:

   # PERSONAL Data about people such as dossier or background (i.e. it would hack them so it would get ‘everything’ even if it wasn’t public). It’d also check out their subtle energy body (or more likely the ‘interfacing’ etc since their real body could be ‘anywhere’ . . .)

   # It would ‘tag’ ANYONE / everyone in my vicinity who was HIDING anything in terms of their data. ANYTHING that didn’t match up. So if they had a ‘western looking’ avatar overlay BUT a dossier that said they were from another region or culture then they’d be ‘tagged’ and classified.

   (This explains why I’m always ‘clocking’ people I pass by and checking out their origin and nationality).

   # SCRIPTED DATA (any and ALL scripted data which was VERY high level access).

   While I’d played with using ‘passwords’ on some areas above, I only got ‘inner’ quivering and ‘tremors’ of fear when I ‘reached’ this level of security. SO, scripted data because it’s the ‘copied’ histories and LIVES of people is one of higher levels of security . . .

   So ‘script wise’ (within my script) I’d probably get a bit jittery when actively going into the database of ‘script data’ and I would probably not do it relatively often.

   I *THINK* the reason I felt ‘jittery’ was that I was using this ‘function’ in a public space, which is probably not something the form I am simulating would have done. I.e. it’d probably have ‘hacked’ this remotely somehow as ‘data’ in a database or gotten ‘access’ in a way that didn’t ‘register’ or set of alarms . . .

   All and all, this felt like a very important tool for piecing together information, compiling dossiers on the project and also getting as much information about ‘what was going on.’

8. Nina
   April 21, 2016 @ 2:33 pm

   2 — “designing and testing”: I saw myself in the EAAS headquarters. I was checking out the dancing from different vantage points in a VR festival scene similar to the one I had participated in last week.

   “External environment”: Memories of two cave experiences came to mind. In the first one, I had to crawl through narrow passages and walk on uneven rocky paths. In the second one, I easily walked through the path, which was well-lit and had stairs and walkways for tourists’ convenience.

   “Department or work testing space”: My mind wandered when I began to compare my experience of entering the two caves I mentioned above (natural vs “VR” caves?). I did the sixth paragraph of this focus and felt some components managing me, but no icon or component appeared. I assumed that only the admins could access them.

   “Muddying”: The mud icon flashed in front of my vision, followed by a recent memory of me wading in the mud. I took it to mean that I can eventually have access to my original experiences but that I’ll have to jump through a lot of hoops first. Then the hoops icon appeared.

   “Testing the accuracy of ANY specific external ENVIRONMENTAL space” — I had a vision of myself playing an immersive VR game with a virtual reality visor. My eyes were glued to the screen inside the visor.

   “Functioning of any external objects, devices, and machines” — I watched another player strapped in some kind of spinning wheel. I imagined the player feeling disoriented from dizziness.

   “Checking any rendered objects, devices, and machines” — I made sure that the weapons and magic spells used in VR games worked correctly. I also saw a rides operator making sure all the passengers were safely seated before pressing the buttons to start the rides.

   “Environmental space components for accuracy in presentation” — I checked if the paint in the props and animatronics inside the dark rides has flaked off or if the moving animatronic dolls were convincing enough to immerse passengers in the made up (VR) world.

   “Influences on myself and or any other people” — I checked if the haunted house was scaring people as intended. I broke down the *components of the haunted house experience into components to see how they interacted with one another.

   (*Haunted house components — strategic manipulation of lighting, activation of sounds once the sensors detect visitors entering certain rooms, live actors playing as scary creatures, etc)

   6 — “Melded with or inside any rendered environment” — I think I did some testing related to my experiences as a subtle form. My inner vision was split into two. The left was the actual raw experience (original memories and sensations), while the right one was the translated version. On the left, I was a blob or wisp or ball of energy floating above in the subtle space, zipping faster than the speed of light and feeling the energy currents (‘wind’) all over its body. On the right was a simulated memory of myself running on trails, with the wind blowing on my face and me zoning out unconsciously, feeling at one with nature

   4 — “environmental components” — I don’t see myself checking for the integrity of items or external objects that much. I seem to see myself more as a “director” type making sure that the characters / actors in a play or film are acting according to script.

   5 — The split screen window appeared in my mind. To the left side was a memory of me texting someone about a possible meet up and not receiving any reply from that person. I began having difficulty accessing the original memory on the right side, so I did the sixth paragraph first.

   Eventually I saw my subtle form alone in a vast subtle space. From a distance it watched its former colleagues busy with the mission it used to be an active part of. Neither attempted to contact one another. I felt that it was expelled from that group as punishment for wrongdoing.

   I remembered doing a focus several days ago and seeing myself about to put a Clive voodoo doll inside a boiling pot of potion. I wondered whether I did something similar originally — whether this was the “crime” that warranted my original form’s exile.

   5 — A screen appeared in front of my vision. The upper part of the screen showed the original form’s script, while the bottom part showed the alternate script of the simulated form. Once I pressed a button or mentally issue a command, the scenes from both the original and the alternate scripts played simultaneously to see if the alternate script “accurately” matched the original in terms of feeling, intuition, etc. If something in the alternate script felt wrong, red circles flash on the anomalies I have noticed. If the problem is with the simulated people, their avatars would be coloured red.

   I seem unable to access the original memories from which my alternate script is derived from. All I get on the upper part of the screen is white space, as well as strong resistance and mild head tension.

9. Nyssa
   April 25, 2016 @ 9:27 pm

   Felt the types of avatars listed weren’t complete for my own experience and was nudged to add in ‘remote viewing avatar’ and “admin avatar” in section 2.

   My left eye feels like it’s “technology” – a “tech eye” that seems to allow remote viewing. I’ve been engaging with it off and on for the last year or so as it’s presented itself but haven’t quite figured out how it works precisely.

   My attention is brought to my left eye, and I see that it’s observing a room filled with file cabinets and hear “head pin” which is a phrase I’ve never heard before but when I looked it up, found it’s the same as the kingpin, ie, “leader, one who is very important and influential (i.e. in a company)”

   My left eye roves over the rows of file cabinets. It appears to be a secured facility belonging to someone important. I hear myself asking ‘”How does this place work? What is the security like?”

   Then I hear myself ask, “How do I accurately render this to give the proper experience of hacking in and accessing these files?”

   It feels I’m not supposed to be accessing this room or to have rendered this experience. This feels strongly that the “kingpin fileroom” and experiences related to it, wasn’t supposed to have been simulated.

   03 I hear myself think, “What would security feel like? how would a person feel accessing this room?” and a feeling of anxiety begins to flow through me, which feels like the feeling of anxiousness and emotions I would have included when rendering the experience.

   I feel “I can’t get enough data on this experience to render it properly,” and I begin to feel panic about the accuracy.
   —
   The experience shifts and my attention is now brought back to the room I’m sitting in to do this exercise, and the room I’m in feels filled with sensors. It feels like I’m viewing an overlay experience that presents my room as the end result of the concepts behind what’s called “internet of things” nowadays, where objects themselves monitor and transmit data to the “internet”, independent of human interaction. In this case, it feels like ‘everything’ around me monitors a massive array of data points, much more than what we are currently now capable of with our meager forays into “the internet of things.”

   “myself engaged to an uploaded copy or version of myself” I’d quickly skimmed over this phrase, and stopped short to examine why I’d been so quick. I return to it and try to feel what the phrase means and how I would have experienced this. I’m filled with sadness and remorse, a deep feeling of sadness knowing what I’m about to subject this version of myself to. How scary and disorienting this copied self’s experience has to be . There just isn’t enough data to accurately render her experience properly, so I’ve had to make adjustments. Horrible adjustments that don’t make sense.

   I read the rest of the sentence and my ears are filled with that same ‘ultra sonic programming pain’ I’ve had for months now and I hear yet another one of those underlying programming phrases I’ve been subjected to; this time it’s pretty benign in contrast to past phrases: “You’ll fail. Fail. Fail.” I read the sentence again and while this out-of-hearing-range programming continues, the scene from “Minority Report” where Tom Anderton walks through the public space and his eyes are constantly scanned by sensors; he’s thus presented with personalized marketing messages as he walks. This prompts me to consider whether the space around me monitored me and transmitted personalized (and destructive) “programming” to me.

   I finish the section and my attention goes back to the “secret files” location in my frontal left lobe in my head, and I again see the Kingpin File Room (mentioned above). I hear my thoughts: “I have to stop this. They’re not going to render what matters, what’s behind all of this, what’s controlling it, who’s really in charge. I have to find a way. I have to sacrifice myself / a split / my splits (????). This is a mess. The truth is too well hidden.”

   “I can send messages. We can write stories for others to read. Movies and databases and inventions and books. Interactions and dreams. The system will present these to people if they’re ‘safe’. We can work around and through much of it. But we still can’t get to the truth.”

   I look around to see what’s influencing me and notice I’ve a full bookshelf to my left, and shelves of CDs and vinyl records behind me. Most of the books feel practical – how-to books, selected works of fiction, philosophy, some business and reference books. I don’t have any books that feels related to what I’ve been connecting to in these exercises, and don’t watch much TV or movies. I have a list of movies and shows I want to watch, books I want to read, but never get around to it; the TV is rarely on in our home.

   04 “I have to render it as virtual .. there’s not enough data to render this as live .. and everything that happened as a result can’t be rendered accurately at all .. ”

   “perspective of the accuracy and the desired and worked for objectives of the project I was involved in..” This part gave me a weird result .. like the project I was involved in is so fundamentally influential, that it was not about the “rendered” outcome of what was being created at all – it didn’t need to be rendered – it would fit into the existing project without needing ‘rendered accuracy testing’.

   mmm this feels like this is why I had so little data to construct the Kingpin Fileroom experience – it wasn’t supposed to be rendered, and what it’s relating to was going to be deeply suppressed..?

   —
   I couldn’t finish the exercise at this point and have struggled for a week to complete it without success. I’ve also been attempting to finish the “Negative Experience” exercise that I attempted on Friday, which was brutal and I couldn’t finish it. It led to several days of feeling like I was being destroyed at a fundamental level.

   So I’m posting as is and will work on it again later.

   • Clive
     April 26, 2016 @ 10:02 pm

     Hi Nyssa, this is feeling like it’s representing getting to deeper levels of trauma of some aspects of what you went through working as part of the EAAS project.

     We seem to be back to decent / uninterfeered with ‘script / trauma’ type investigations in the last 24 hours as we seem to have got rid of all the external interference that’s been f***ing with our investigations / desperately working to maintain peoples ‘shit’ the last couple of weeks!!!

10. Annabelle
    April 26, 2016 @ 7:34 pm

    Management – messages about “unknown server”, “can’t send e-mail”, “can’t perform function”, “no internet connection” “illegal website” despite the fact that nothing is really wrong. Some very “in your face” management in process as Clive mentions, that is not as organized as it used to be – but more out to impress me / flex muscles. While walking thru the neighborhood, I passed some mailboxes and one of the mailboxes popped open just as I was in front of it (mailboxes are tight and locked). I heard a strong message “so you think our software timing is not good?” Pathetic. Then later I took something out of my purse and a needle was dangerously inserted in my wallet – there is no reason a needle should be in there? I am sure it is a moved object from another part of my house. Just BEFORE reading the synesthesia article some letters in my typed daily work started to randomly change color!
    Exercise for Negative Healing focus – strong detox initiated and still working thru fatigue, crashing out, and an inability to eat many foods.

    01-connect to group level trauma intensifying as a teams try to manage incidents in family/group settings

    02-“timed delivery schedules’ – a lab worker is peering into a crystal ball watching me, and his hand is on a FU button. He has a lot of back up buttons labeled “Trauma”, “Hassles”, “Workload”. This all then changes into a more sophisticated control system like a recording studio with all of the levers and knobs to adjust/intermix whatever as needed. Strong feeling that the delivery of FU stuff is now more generic and wide spread as I see a worker spreading a fishing net over the population.

    03-“categorizing” –workers in white lab coats are unlocking a special classified file cabinet labeled “Plan B”. There is then a visual of a fire extinguisher glass covered box labeled “For emergency use only”

    04-“implant network” – many tunneling systems are being activated – with series of tunnels, subway tunnels under large cities, tubes that travel through cylinders that deliver message like banks use. All hands on desk – a full SWAT team has been activated.

    07-“dispersed AI” – workers in lab coats in trees with butterfly nets waiting to scoop up people that don’t cooperate

    • Clive
      April 27, 2016 @ 1:54 pm

      Hi Annabelle . . .

      “messages about “unknown server”, “can’t send e-mail”, “can’t perform function”, “no internet connection” “illegal website” despite the fact that nothing is really wrong.”

      I was having more and more ‘odd’ things with my sites / server until about two days ago then after a ‘security’ update message telling me a scan of all my sites that had just been completed showed them all clear I found some code in a very ‘base’ level on all my sites on two different servers. On deleting this all problems that had been getting worse disappeared. So, ‘something’ figured out how to cause cross conflicts between my sites. So, far it’s not returned yet!!!

11. mindy
    April 27, 2016 @ 7:20 am

    Lots of new pieces connected to this. Some of my memory has quickly faded form the information given, and the weighted sleepiness put on me from this focus is currently weighing on me, however I will give my explanation a go.

    01: It seems I sent a piece of myself that was outside of the EAAS into the EAAS to take tabs or to get a more thorough read on what was going on ‘down there’, this was apart of an effort to overtake the horridness of the project. It seems as if some of us created a simulation of the EAAS in a type of virtual space that was designed to collect data from the piece of me I sent down to the EAAS. No harm was done to the actual people in EAAS through this effort, it was virtual. The goal was to get more information that we were missing to better find ideas and solutions to overtake the project, we needed to more fully understand it before we could make ‘bigger moves’– (feels very much as simulated to lets say Clives colleagues now needing to get more information here on everyone before some of the bigger moves are made). Here since my ‘blend in’ self, this small aspect of self- like a dummy, collected so much data from the EAAS (often invisible and could break apart to go into different domains of EAAS to get better reads, kind of like a spy that pretended it fit in with everyone, then morphed to change its identity according to what the large aspect of self (outside of EAAS was wanting her to do, again the goal to collect all needed information from EAAS).. This project to recreate the EAAS with the sole purpose intention of finding out what was going on there, was somewhat successful, many people frowned on my action, calling it dangerous and juvenile. Eventually they sent me people outside of the EAAS who unbeknown to me were apart of the EAAS to try and stop my efforts, although mostly unsuccessful there attempts were.. So many people tried to ‘convert me’ or convince me to be on the EAAS time, as if they were lying to me telling me how great it was. I never believed them, then they would send me people who acted like they were on my side- ready to take over the EAAS with me– many of these people were spies from the other side– I knew better, however through interfacing and probing the virtual EAAS that we had created from our data we had collected- I did begin to appreciate a lot of the awesome people apart of the project– many of whom got sucked in there, they were innocent and this fueled my attempt to get everyone out of there even sooner. I didn’t know they would use my piece in the EAAS against the bigger me, torture her, try to use her to connect to the bigger me to then destroy the bigger me, but it happened anyway. It make me sad the friends I lost in the process of having to stay loyal to know that no matter what I was not going to give into all of the BS the EAAS flung on me. In the original environment, it was much easier to hide, much easier to be a spy, here now in the sim it seems I am feeling a level of “” God knows and sees all””” I know understanding this to be a complete program, as now here in the SIM I get punished and have so many set backs all because of the role I originally played was mostly invisible or unknown to the designers, now that ” god ” AKA the drone shit knew what I did then they will punish me here. I finally know why I feel like I was a sacrifice, I am the small piece of me that was used to collect intel in the original population, which was like a sacrifice in a way. I connected to multiple ascents of self that were here to check up on me in the sim– most of which have been destroyed from the sim itself, showing how brutal this place is….. Much more to look at through this ” made representation of the EAAS in the outside the EAAS original place”. Its locked and configured, almost seems partially destroyed here.

    • Clive
      April 29, 2016 @ 6:43 pm

      Is that ‘mindy’ of Mork and Mindy, Mo?

      Well this seems to describe a jumble of different trauma issues being explored / brought up, I ‘think’ that most of this relates to the VR research that’s not of the EAAS project mixed in with remote viewing hacking of the EAAS project!!!

12. Nina
    May 4, 2016 @ 1:29 pm

    May 1, 2016

    3 — “body being merged with…any object:” My point of view shifted from myself observing the election campaign parade from my bedroom to the loudspeaker blaring campaign jingles. The sound waves traveled to a copy of myself being forced to listen to the annoying music, to the passengers taking public transportation, and to all other residents of the neighbourhood.

    The scene shifted to a 3D map of my neighbourhood. As the campaign van roamed around the map, tiny lights inside the homes represented on the map lit up. Yellow lights indicated that the residents either felt neutral or positive about the campaign jingle. Red meant unfavourable response — the people felt irritated and didn’t want to vote for the candidate.

    “Integrity of simulated VR environment” — I was in the centre of a prison cell where the walls were made of flat screens. The scene showed a noisy campaign parade, which annoyed me to the point of covering my ears and feeling stressed and restless. I could not get out because the cell was locked.

    Next, I was in a holodeck room where, instead of watching from a distance, I was immersed in a VR scenario where I acted as the bystander who so happened to encounter the campaign parade while trying to cross the road. I feigned a smile to hide my annoyance as the volunteers riding the campaign vehicles waved at me. Only when the parade had passed did I manage to cross the road.

    “Internal workings of any type of physical space” — I remembered watching a film with some technical problems. In scenes where the characters weren’t talking, the film was completely silent even when it showed cars passing by or the breeze blowing the coconut trees. I thought, “If such scenario played out in real life, I would be suspicious, especially because I’m not deaf.”

    4 — “critical or defining times” : I thought of external paraphernalia that corresponded to the elections — in particular, posters hanging on wires like festival banners. I may have done test runs to ensure that the external environment accurately matched major historical turning points, such as elections.

    “accuracy and worked for objectives of the project” — grind down the population with stress via noise and visual clutter

    5 — “anomalies, inconsistencies:” Sometimes I hear the jingles more clearly, while other times the sounds seemed more muffled. Internal volume is inconsistent. Also, I would be suspicious if campaign vans were to completely avoid my house or the campaign vehicle of a mayor from another city passed by my house.

13. Nyssa
    October 3, 2017 @ 8:21 pm

    I get a sensation of ‘being’ THE VR, and also of having a selection of avatars to interact with people whom are interfaced into the VR (ie interfaced to ‘me’), like I’m the space itself and as such I am the super admin, whom can take any form or shape, or even just a point of consciousness to observe or interact with any one or any part of the experience that ‘I am’, as ‘THE VR’.

    I sense people inside “me as THE VR”, whom are working on “Virtual Reality Environment Simulation Projects”. It feels like they are recreating / reliving the experience that created ‘me’ as “the vr”.

    I feel this repeating inside each repeat, but each time it repeats, people in the new project are trying to emulate what they perceive as the ‘real environment’, but it’s actually just ‘me’ they are emulating. Each version gets more and more condensed / cut down / inaccurate, and I feel my energy getting pinched and locked down more and more with each iteration as it’s forced to ’emulate itself’.

    (As I’m working with the focus, my body is having spasmodic reactions and it’s incredibly hard to breathe – like I’m breathing in and out at the same time, so it just gets locked up)

    At “each department or work testing space that I spent any decent length of time within”
    .. I start to spasm in terror, my skin feels alight with trauma. I can sense each skin cell containing memories / script / trauma / “whatever” from each concentric repeating cycles of testing and trauma from each time I was forced to ’emulate myself’. It feels like my skin was used by many departments as a ‘work testing space’ or ‘material’ in each repeat of simulation projects, and each molecule holds the nested repeats of this trauma, spiraling on and on. I can barely breathe, and can only make spastic puffs in and out while I feel the terror and trauma slowly spiral out of each molecule.

    at “my time and experiences while designing, engaging with and or testing the accuracy of ANY specific external ENVIRONMENT space”
    .. I emotionally explode in horror and grief – it feels like “me as an avatar” was kidnapped and forced to work on these projects – forced to self-mutilate ‘myself,’ forced to incur horrific pain on ‘myself,’ forced to imprison ‘myself’ further, knowing it was wrong, incorrect, wouldn’t work, knowing the truth of what reality ‘is’ (at least the reality we were living in), because it was ‘me’.

    Section 03 is very veiled / thick. I get a vague impression that possibly at some point whatever was done to my ‘kidnapped avatar’ also had amplifying effects on ‘reality itself’ via the relationship of my superadmin avatar to “me as THE VR”/”reality”.

    Section 04 I get the impression of forgetting my connection to “reality”/”me/the vr, but it was evidenced in my natural abilities. I get feelings of being extremely competent and gifted in rendering environments, for instance, because I knew what they should ‘feel like’, plus many other natural abilities and ‘gifts’ because of my super admin avatar’s natural access / abilities. Most of these seem to have been crushed out of me now. I feel deeply wounded, and that ‘reality itself’ is wounded not only because of what was done to ‘it’, but also ‘via me, the avatar’.

    Section 05: I feel like I had my own workspace, where although I was an ‘amnesiac’ for the most part (it feels like through the iterations or for ‘whatever reason’, I had forgotten my relationship to ‘reality’), I keep trying to fix what was wrong, restore the environment, research and heal ‘the environment’, like a primal urge.

    Section 06: I sense a ‘rats nest’ of components trying to deliver this scripted mess to me / my experience here, and a ‘shitfest’ of other components fiercely reacting trying keep any of this hidden or obscured.

    Clive has commented here somewhere that I was used as the ‘tester’ to test ‘the new simulated reality’ as a whole, an experience I feel was likely often repeated.

    After working with Section 6 for awhile, I get the feeling that because of my relationship to the environment, that what I was forced to experience ‘as the VR tester’ of ‘the whole project/the environment’, further f’d up the very environment that the ‘reality simulation project people’ were trying to FIX.